How does a government steal a child and then imprison him? How does it keep it a secret? This story is how. At the age of seventeen, after a childhood in a foster family followed by six years in care homes, Norman Greenwood was given his birth certificate. He learned that his real name was not Norman. It was Lemn Sissay. He was British and Ethiopian. And he learned that his mother had been pleading for his safe return to her since his birth.

This is Lemn’s story: a story of neglect and determination, misfortune and hope, cruelty and triumph. Sissay reflects on his … More

Our next PM Book Club, we’ll be discussing Reni Eddo-Lodge’s,’Why I’m No Longer Talking to White People About Race’. The book that sparked a national conversation. Exploring everything from eradicated black history to the inextricable link between class and race, ‘Why I’m No Longer Talking to White People About Race’ is the essential handbook for anyone who wants to understand race relations in Britain today.

New members welcome. Next meeting is on Monday, 2nd September 6pm at the shop.  Book available in store and online.

Now available in paperback, Akala’s ‘Natives : Race and Class in the Ruins of Empire’. A searing modern polemic from the BAFTA and MOBO-award-winning musician and political commentator, Akala. From the first time he was stopped and searched as a child, to the day he realised his mum was white, to his first encounters with racist teachers – race and class have shaped Akala’s life and outlook.

In this unique book he takes his own experiences and widens them out to look at the social, historical and … More

First published in 1971, How to Read Donald Duck shocked readers by revealing how capitalist ideology operates in our most beloved cartoons. Having survived bonfires, impounding & being dumped into the ocean by the Chilean army, this controversial book is once again back on our shelves. Written & published during the blossoming of Salvador Allende’s revolutionary socialism, the book examines how Disney comics not only reflect capitalist ideology, but are active agents working in this ideology’s favour.

Focusing on the hapless mice and ducks of Disney, curiously parentless, marginalised and always short of cash, Ariel Dorfman and … More