Rip It Up And Start Again: Post-Punk 1978-1984. In this, the first book to take a big-picture view of the entire post punk period, acclaimed author and music journalist Simon Reynolds recreates a time of tremendous urgency and idealism in pop music. Full of anecdote and insight, and featuring the likes of Joy Division, The Fall, Pere Ubu, PiL and Talking Heads, Rip It Up And Start Again stands as one of the most inspired and inspiring books on popular music ever written.

Reynolds’s overarching polemic is this: that punk was not year zero at all, but, rather, the last gasp of a … More

“Between 1976-81, I collaborated with David (Widgery), in the organisation Rock Against Racism.. The music came first and was more exciting. It provided the creative energy and the focus in what became a battle for the hearts and minds of young working-class Britian” Ruth Gregory (Hastings).

An anthology of conversations and essays, memories and commentary from the heyday of British pop music writing. In its heyday, … More

Out now. “Connecting pop culture and philosophy, the personal and the political, k-punk generously created a map to make sense of the world we live in, and a guide to help us invent a new world that makes sense for everyone. I can’t think of a more important person to read than Mark Fisher.”

Edited by Darren Ambrose and with a foreword by Simon Reynolds, this comprehensive collection brings together the very best work … More

Dead Kennedys routinely top both critic and fan polls as the greatest punk band of their generation. Their debut full-length, Fresh Fruit for Rotting Vegetables, in particular, is regularly voted among the top albums in the genre. Fresh Fruit offered a perfect hybrid of humor and polemic strapped to a musical chassis that was as tetchy and inventive as Jello Biafra’s withering broadsides. Those lyrics, cruel in their precision, were revelatory. But it wouldn’t have worked if the underlying sonics were not such an uproarious rush, the paraffin to Biafra’s naked flame.

Dead Kennedys’ continuing influence is an extraordinary achievement for a band that had practically zero radio play and only released … More

Penny Pepper has led an extraordinary life. She is a writer. Poet. Punk. Pioneer. Activist. And she also happens to be disabled. In her absorbing memoir, which spans the mid-80s up until the millennium, Penny paints a picture of life, love, sex, music, success, failure and misadventures in the UK punk scene of the late 20th century. Craving freedom from the poor Chiltern Hill council estate where she grew up, Penny dreams of moving to London, of writing, of finding her way in the North London music scene.

She doesn’t have what others take for granted; she is disabled. And she sets out with just her raw, burgeoning … More