The reputation of early-twentieth century British writer Algernon Blackwood currently resides with his two novellas `The Willows’ (1907) and `The Wendigo’ (1910), and with good reason. They are perfectly crafted horror tales that convey feelings of mystical otherness; they hint at the possibility that there are forces which lie beyond the confines of our everyday understanding of the world and which may, given the right circumstances, manifest to humans. In `The Willows’, `unearthly’ creatures are responsible for arousing `some dim ancestral sense of terror more profoundly disturbing than anything’ the protagonists have ever known.