Otis Redding is the biography that finally does justice to the unfinished life of the man who was once celebrated as the “King of Soul.” Jonathan Gould’s book draws on comprehensive research, the cooperation of the Redding family, and previously unavailable sources of information to present a fully-formed portrait of Redding’s background, his upbringing, and his professional career. That said, this biography is not only a book about Redding and his music; it is also a social history of the time and place from which they emerged. Rejecting the often sentimentalized view of race relations in the music business, Gould never lets us forget that the boundaries between black musicians and white listeners were becoming porous at precisely the moment when racial tensions were reaching a height throughout the United States. aHis indelible portrait of Redding and the mass acceptance of soul music in the 1960s is both a remarkable look at a little-understood artist and a provocative exploration of the tangled history of race and music in America.
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