Using postmodern form, Kathy Acker’s Great Expectations moves her narrator through time, gender, and identity as it examines our era’s cherished beliefs about life and art.

Great ExpectationsAcker

‘New York City is very peaceful and quiet, and the pale grey mists are slowly rising, to show me the world’ Pip switches identities, sexes and centuries in this punk, fairytale reimagining of Charles Dickens’s original Great Expectations. Both familiar and unfamiliar, our orphaned narrator is transplanted to New York City in the 1980s; becoming, by turns, a sailor, a pirate, a rebel and an outlaw, through adventures incorporating desire, creativity, porn, sadism and art. This ribald explosion of literature, sex and violence shows the literary anarchist Kathy Acker at her most brilliant and brave.

‘Acker’s most accomplished experimental work’ The Village Voice ‘A postmodern Colette with echoes of Cleland’s Fanny Hill’ William S. Burroughs.

Available in store and online.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s